Bury’s opera star Soraya Mafi on her love for Manchester and The Magic Flute

Bury-born Soraya Mafi will be singing the role of Pamina in Mozart’s The Magic Flute when Opera North returns to LOWRY next week.

Soraya has performed in Seattle and sang the National Anthem, aged 18, at Wembley Stadium.

She is now set to play the character of Pamina in The Magic Flute. We caught up with her to find out more.

Where does your love of classical music come from?

My Mum and Dad always loved listening to classical music on the radio and in the car. My older sister showed a talent for piano at a young age, so naturally, I wanted to be just like her and began piano lessons too. My local music service was wonderful and lent my sister and me a flute. I just loved playing it and trying to master it. My love of classical singing, however came about after a few years of singing musical theatre. I found I really loved the Rodgers and Hammerstein and Lerner and Loewe musicals – their writing really suited my voice, more so than the more contemporary pieces that required a strong belt. I learnt that opera had more of the right kind of repertoire for my voice and then never looked back.

When did you see your first opera and how did it make you feel?

I think the first opera I saw was La bohème when Opera North was touring (the Phyllida Lloyd production). I remember loving the scale of the production and the sound of a live orchestra. I don’t remember much of the plot, other than I felt that the girl (Mimì) deserved to be treated much better than she had been by her so-called boyfriend Rodolfo! 

What advice would you give to your 13-year-old self, knowing what you know now?

What makes you feel different to everyone else is actually what makes you special. You will find your tribe. There’s also no need to rush all the time!!! 

What are your top three career highlights so far?

My role debut as Gilda in Rigoletto for Seattle Opera – it was amazing having my parents there to see me sing this wonderful role in America. 

Jumping in to perform the role of Morgana in Glyndebourne’s first ever production of Alcina. It was a truly magical production.

Singing the National Anthems at the first England international game at the New Wembley stadium when I was 18. The Brazilian fans were so appreciative of how hard I worked to learn their anthem and to be a part of the excitement in that moment is something I will never forget.

If someone is new to opera, why would you say The Magic Flute is a good place to start?

Director James Brining has crafted a production that feels both authentic and contemporary while still embracing the fairytale essence. Since it’s performed in English with English subtitles either side of the stage, it’s especially accessible for those new to opera. Plus, there are plenty of familiar tunes that might surprise first-time audiences!

Could you tell us a little about your character Pamina? What do you like about her?

I love that she values honesty and integrity. She stands up to bullies and calls people out when they are acting selfishly or callously.

What do you love about Manchester?

Manchester is my home—it’s where I grew up and where I have chosen to raise my own family! I studied at the RNCM (Royal Northern College of Music) as an undergraduate and had a wonderful four years balancing my studies with a job at Selfridges (and occasionally exploring Manchester’s amazing nightlife!) Now, as I raise my own family here, I appreciate even more how the city constantly evolves, embracing art, culture, and new experiences for all ages. But what I love most about Manchester is its people. Mancunians are honest, wear their hearts on their sleeves, and are as genuine as they come. And if you ever need a break from the city buzz, it’s so easy to escape to the green spaces just beyond!

Why would you say The Magic Flute offers audiences a good night at the Opera?

While The Magic Flute is filled with larger-than-life characters and fantastical elements, at its heart, the journey of Tamino and Pamina is deeply human. Their love story, struggles, and personal growth are real and truthful, offering an emotional depth that resonates with audiences. No matter how magical the setting, their experiences—of fear, courage, and love—feel honest and relatable, making the opera not just an entertaining spectacle but a genuinely moving experience.

Tickets for Opera North – The Magic Flute

Opera North – The Magic Flute is at the Lowry from 13th – 14th March and can be booked here