Elusive and contrarian: Mark E Smith celebrates the work of the original bad boy of the arts


Discover the work of one of Britain’s controversial artists at an exhibition which opened this month at The Imperial War Museum North, Salford Quays.

Life, Art, War marks the 60th anniversary of the death of Wyndham Lewis and the centenary of his commission as official war artist. It will be the UK’s largest ever Lewis retrospective and is expected to contain over 160 artefacts.

One of the exhibition’s highlights is Responding to a Rebel: Mark E Smith, Agent of Chaos on 2 August. The Salford-born musician, a huge admirer of Lewis’s work, will be leading a tribute of poems and ramblings inspired by Lewis, along with live percussion, vintage cassette players, projections and more.

Though they might seem almost opposed to each other at first glance, some interesting parallels appear when comparing the twentieth century artist and writer and the Fall frontman.

Both were rebels, willing to express often controversial unpopular opinions, and both boast impressive and disturbing back catalogues.

Wyndham Lewis by George Charles Beresford © National Portrait Gallery

Lewis claimed responsibility for hundreds of works of art whilst Smith has released over 30 full studio albums with The Fall in forty years.

Having founded vorticism – arguably Britain’s premier avant garde art movement, known for its geometric patterns and unusual use of colour – Lewis continued to work during his service on the western front of World War I, rising to become official war artist for the British and Canadian governments.

With a unique artistic flair and a painfully direct style, he was responsible for documenting some of the most turbulent moments in British history.

Also a writer, Lewis’s acerbic wit and sharp tongue followed him after the war, leading to an almost immediate falling out with the most prominent members of London’s Bloomsbury Group.

His launched a magazine, The Enemy, and satirised the literary establishment in his book The Apes of God. He was a man who seemed to thrive on chaos, creating conflict as an artist, a writer and cultural critic, starting in the early years of the twentieth century and ending in the nuclear age, eventually living for 74 colourful years.

Lewis also became well-known for his portraits. However, like all of his life’s work, it wasn’t always for all the right reasons.

He painted prominent public figures during the 1930’s and 40’s including Edith Sitwell and Ezra Pound – though the selection committee of The Royal Academy rejected his 1938 portrait of TS Eliot, causing a stir and making headlines as recently as 2008.

“One never really gets to the bottom of Wyndham Lewis,” says Richard Slocombe, senior curator at IWM says.

“He is elusive and contrarian, and that’s what makes him so fascinating. Lewis lived through incredibly turbulent times where war, or the threat of war, was ever present. This exhibition will shed light on the work of a highly gifted, original, but often ignored artist and one of the great personalities of the twentieth century.”

The exhibition also explores Lewis’s ‘underground’ period of reflection and reinvention after the First World War, including his self-imposed post-war exile to North America and his eventual descent into total blindness upon his return to London.

Having written over 30 books and created innumerable artworks before his death in 1957, Lewis’s title of ‘art’s original rebel’ was hard won. As a man who never backed down and ensured he was heard, he left a mark on history that will never be erased.

Wyndham Lewis: Life, Art, War is on until 1 January at the Imperial War Museum.


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